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Art thrives online in the modern age. That’s not changing. But the traditional gallery remains indispensable. Can a Detroit-based enterprise bring the two together and make the city home to a global force in the art community?

Jesse Cory and Dan Armand say yes. Their company, Detroit-based 1xRun (“One Time Run”), is a sponsor of murals and public art festivals around the world – not to mention being a retailer of more than 5,000 different limited-edition and original works.

An operation like this could exist entirely online. But that’s not the whole story.

Cory and Armand also believe in the value of an outstanding gallery, especially one that adds to the aura of Detroit’s historic Eastern Market. So a crucial part of the operation is Inner State Gallery, which serves as a vibrant exhibition space for the same kinds of artists and works.

Taken together, 1xRun and Inner State Gallery are two ends of a Detroit enterprise that’s bringing exceptional art to the world while putting Detroit itself very much in the artistic spotlight.

Inside Inner State Gallery – where white walls and hardwood floors greet you upon your arrival – a world of colorful creation includes screen-printing, block-cutting and print-archiving facilities that span several floors. Each door opens onto a project in progress or a busy group of employees.

Which is not to say that Inner State is just for looks. On the contrary, the space draws artists like COPE2 and Glenn Barr, just to name a few.

Serving as a complement to 1xRun’s offerings, as well as a crucial physical space for its community, Inner State Gallery grew from an original location known as 323 East in Royal Oak.

Cory and Armand released prints through 323 East, although, as Armand acknowledges, “No one really bought them.”

At the same time, Armand was buying a lot of prints for his personal collection and was often frustrated with sellers’ web sites. He and Cory thought they could build a better model, one that added a proto-flash sale element of the type Groupon was popularizing.

“[It] started as, ‘I want a piece of that person’s art, but I can’t really afford it,’” Armand said with a laugh.

So 1xRun launched in 2010 with a print by the artist Matt Eaton, curator of Detroit’s Red Bull House of Art. Word spread, among both buyers and artists, and Cory and Armand were soon working with an ever-expanding network of artists − in Detroit, across America, and around the world. As 1xRun was growing, Cory and Armand moved the operation into their current, larger space in Eastern Market, rechristening the gallery Inner State.

This move now seems obvious. Cory and Armand’s aesthetic style is marked by their relationships with artists who favor riotous colors and graffiti-style marking and their office collection of Juxtapoz magazines. That fits right in at Eastern Market, which is famous for street art and large-scale murals.

Both Cory and Armand have an appreciation for street art. How so?

“I have a background in graffiti,” Armand said.

He’s not kidding. Cory and Armand see plenty of artistic value in a renegade spirit.

“I like the juvenile delinquency of the whole thing,” Cory said. “This is a way for people to express an idea in a public space without permission. This is the art movement of our generation.”

That’s part of why 1xRun has become a patron of this movement, a democratic platform for accessing a democratic medium. In 2015, they launched Detroit’s own Murals in the Market − a multi-day event that highlights more than 50 local and international mural artists as they create murals around Eastern Market.

They’ve also sponsored nearly 20 mural festivals from New Zealand to Taipei. One of them, “Pow! Wow! Hawaii,” is good for charting the brand’s trajectory: Their first year there, Armand said, they “brought like 10 little prints and nobody bought anything − we didn’t sell one thing. Now we have people lining up for hours. It says a lot about building that base of collectors.”

And 1xRun’s buying base is as broad as its artistic base. The web site has 50,000 members in 100 countries. They’ve shipped to military bases in Afghanistan and sultans in the Middle East. Cory recently e-mailed a buyer to say thank you after he spent $6,000 in one weekend – only to have the customer ask for the work to be framed, adding another $3,000 to his total.

“Our customers on average are like us,” Armand said. “But the 20 percent that are 80 percent of our business are those with a lot of money.”

Whatever customers’ individual purchasing powers, the cumulative effect is that of a collection of artists and appreciators who are as devoted to the community as to the art itself.

“What happens − we see it in Hawaii and we’re starting to see it in Murals in the Market − is that the same people will come back every time and stand in line and buy a local artist’s print, not the one that we think is going to sell out instantly,” Cory said. “Because they have a genuine experience with the person painting it. It’s in their community, so they have ownership over it, and then [the print] becomes this token that solidifies that experience.”

Cory, Armand and their team create those experiences − in the gallery, on the street and online − by maintaining both a self-selecting network of artists and an exacting set of standards. The team has weekly curation meetings to sort through artists, both those who’ve approached them and who they’d like to approach. They might also be in discussions with artists who want to collaborate on something new, in which case the team brainstorms formats.

For a recent collaboration with Kevin Lyons, they made wood cutouts of donut characters, which were also part of Lyons’s Inner State show.

The creative process is organic − right down to the residency in the loft apartment upstairs, which is based not on applications but on their experience of working with that artist. Seeing maturity in an artist’s work instills confidence in them, Cory said.

“There’s a unique thread that goes through any artist who has an established career, and it’s the 10-year overnight success,” Cory said.

One artist pitched them for years.

“I was never quite there,” Armand said. “And eventually it was like, ‘Oh, it’s good enough now.’ And then it sold out.”

Artist Jesse Kassel, who has shown at Inner State and sold on 1xRun, began as an employee at 323 East. Although he started out working in the shipping department, he eventually earned the opportunity to assist artists in the studio, and says he worked hard to earn their respect. That includes participating in the gallery’s last show, Apocalypto.

“They want everyone they work with to push themselves to achieve what they didn’t know was possible,” he said.

Ellen Rutt, an artist who used to work as 1xRun’s art director and has shown and sold with 1xRun and Inner State, said the duality of Cory and Armand’s operation − creating an art market both in Detroit and outside of it − was a big attraction.

“What I find so strong is you have these two components,” Rutt said. “1xRun sells work online, and Inner State is a physical presence. You’re able to create a hub for art in Detroit while also reaching a boundless global network of collectors.”

That micro-macro approach − online and in-person, local and global − is part of what makes 1xRun and Inner State so unique. So is their authenticity, from the artists they work with to the festivals they sponsor.

“Our collectors want to buy from us,” Cory said. “They want to trust our brand.”

What their community trusts them to do, Cory adds, is to keep using those qualities to deliver unique work. The more 1xRun and Inner State Gallery pursue their vision – both in Detroit and globally – the more they deliver on that promise.